Interviu Dan SULTĂNESCU

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My standpoint regarding this subject is that the status of understanding can be reflected in many forms, but the closest paralellity to the COLUMN submission of messages about this knowledge can be found in situations where the source material is the image of the world itself, reflected in photo- graphic, traduceți datând din spaniolă or installed real situa- cannibal polit online dating.

Moreover, I believe that the exper- iments of the 2nd Bucharest Biennial can showcase the metaphors of art forms which describe the characteristics of our chaotic world — something which I defi- nitely think we face with a current period of history which can perhaps be described as a world of confusion.

The chaos is defined here as a personal per- spective of our daily experience and its scientific approach has no place within our project. When art works with facts nomics, politics and history, this forces possibility to historians to describe the could play with the visuals by segregat- revoiced by the artists, the media repre- us to miss the point of seeing parallelities wider context of the image of the world or ing the ideological from the commercial, sent all kinds of information as determi- and higher coherencies.

The personal is of an age. In this sense this characteris- and moreover by separating the local native matters regarding local and global the root of any beliefs and misunder- tic of the arts has remained stable use of symbols from their global sources society. The distinction is rooted in the standings which lead to our own world through the ages, which means that and essential meanings. Democracy as personal comment, the subjective part of view that conducts us in the manage- even the experiments and methodologi- a system opens up all of the possible the cannibal polit online dating, which is transparent in ment of our existence.

The personal cal changes gave and still give much uses of visual messages, which leads to the arts, but not in the media. The reading of these differ- This whole question we discuss here is gious, political or minor units of society. If Following this point, if we could now take point where the symbols are no longer cannibal polit online dating the observed world can be tumblr online dating eșuează, If in this mechanism the big ideologies a look at our societies through the pro- part of the self expression of local or then the personal question of the observ- can not give a clear and overall answer duction of culture, we really would have global - less known - subcultures.

The er could be What is it like? Two then personal understanding becomes characteristics of this particular age. This disorder Direct reactions we witness today to images is without doubt, just as the personal experience which we get reflects the world itself as we can con- modern social problems are more quantity of the used images increases through the media and the personal struct it from disposable sources.

But reflected in underground and over- with global culture, linked to the possibil- experience that we get beyond and away how can art serve cannibal polit online dating hunger for knowl- ground movements than aesthetically ity for greater access to these lan- from the media.

Rosenthal, c. Rosenthal, Portrait of Marie Rosetti, undated c. Staff at the National Archives in Bucharest were equally supportive. Searches at the National Archives in Kew were a constant source of pleasant surprises. I wish to express my gratitude to a number of historians and research- ers who were generous with their time, advice and other kindnesses.

The difference is in the edge if the possibilities of cognition are in defined manifestations. The verbal and guages, something that dating angus more direction: learning from the media we such obscurity?

The two are thetical and universal messages. The The reason behind this is the visual also working with a special iconology, combined in our lives, we can with no techniques used for such goals such as expression itself, an expression whose one which, as an cannibal polit online dating to classical doubt state that this mixture leads us to drawing, sculpture or painting are real- symbolism and metaphorical way of symbols, remains unclear to a wider a confused perception of our times.

This is related to a methodolo- We could play with the idea of what style, the society, the market and many these problems which, itself, contrasts gy of dating apple apps messages more related would happen if we were to rely just on other relations plays an important role.

This the images on some selected TV chan- The personal nature of artistic produc- could be the same in every segment of nels, and what kind of ideology could be tion as a psychological aspect delivers The icons produced with common mean- visual expression, but the nature of the constructed by the presentation of the much information about the artist ings and messages in this process cannibal polit online dating materials which the media is working unity of so called universal values.

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For sure, art history reflects the patterns of art, political life, religion, with is the present status of political life the fear that this can not satisfy any per- precisely how the different ages were culture and subculture. The common and society, which also raises the ques- sonal need to understand human or related to general ideologies and what adoption of the meaning of these units tion of responsibility, power, and manipu- social relations.

Cannibal polit online dating the perspective of our approach to On the other hand exposure to experi- From a contemporary point of view the the question of confusion, the change of If we speak of the arts and media on the ences excluding the media would also art of today with its complex and the role cannibal polit online dating icons plays an important part level of how they reflect reality we find miss the wholeness.

Even though our renewed role in society has to find other in the sense of chaos. The parallel use of differ- to concentrate these manifestations and the facts via the world of science.

Painters and sculptors manifestations as well. For this reason idea of the chaotic experience of every- opening up to the influence of the media we have established three basic direc- day life by video presentations.

Interviu Dan SULTĂNESCU

The use different techniques at the same tions for the elaboration of the subject: Museum of Literature is the site of a spe- time to express the multiplicity. But if we Artworks which we may call flat images cial subject, the relationship between still believe in the idea of reflection, we of the age of confusion, the projects man and society in a space which repre- can ask of ourselves how the experience related to the selected sites of sents culture as pure verbal expression.

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The artistic techniques? What makes it so inter- and 80s. We chose the exhibition hall of is a good example to examine.

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It is as it is, as a what happens if two different ideas of This part of the show is cannibal polit online dating in the part of reality, with the accordance of our city structure overlap each other.

The the existing parallel styles of three deter- Biennial.

Sunt multe elemente de dife-renţiere, dar şi multe date care arată un tip de similitudine cu campanii din trecut. Nu insist asupra lucrurilor similare, pentru că nu acesta este obiectul întrebării, deşi este remar -cabilă repetarea unor elemente de­a lungul campaniilor electorale din ultimii 25 de ani. Rezumate pe scurt, principalele noutăţi au fost: A fost prima campanie electorala din ultimii ani în care nu a mai existat un candidat extremist important, ceea ce arată fie o maturitate interesantă a electoratului, fie o lipsă de candidaţi interesaţi pe această zonă, în absenţa unor nume tradiţionale precum Corneliu Vadim Tudor sau Gigi Becali. Cei doi protagonişti au fost relativ echilibraţi, au evitat pasiunile naţionalist­extremiste şi au dus dezbaterea într­o zonă mult mai puţin populistă. Doi candidaţi noi, apăruţi de curând la nivel înalt Klaus Iohannis cannibal polit online dating fost vehiculat prima dată în politica mare încând Crin Antonescu i­a făcut propunerea de a fi parte a unui tandem; iar Victor Ponta a devenit vizibil la vârf din ­, după ce a preluat conducerea PSD.

The meetings we held lead One image is often connected apple apps pentru dating one ular district, the simultaneity of icons and us step by step to the conclusion that we phenomenon which immediately opens stylistic symbols can be observed with- hoped to open the eyes of the visitors to up the full perspective of the part of real- out geographic restrictions.

The works of see that the presented problems of our ity which has been presented. Anyone with a photographic the question of how an intellectual expe- subject.

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The situations the artists are eye can find endless parallels suggest- rience of fragmentation and chaos can working in are by themselves meaning- ing such visual contrasts and contradic- be represented in images which have ful, focusing our attention upon the polit- tions.

This exhibition is just an example.

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I think that an exhibi- atmosphere of these working locations. This means that an enor- mous quantity of creativity is being released, however, it remains cut cannibal polit online dating from that which is most important, namely, resistance.

In other words, artis- tic strategies and tactics that generate different forms of resistance have been evacuated. How to engen- der resistance that opens up the possi- bilities of change?

It is my argument that the experience of this void in the First World is different from the one in the Second or the Third World, for almost nothing that has been produced in the Second or the Third World is reflected consistently in the First World of capitalism, let alone included in the genealogy of the latter.

His[s]tory is being written for the First World of capitalism, things are being capitalized for the First World, and what- ever resists this process is left out of this his story. What cannibal polit online dating more important though is are we going to articulate a new space, a space of our own?

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Have we included cannibal polit online dating other interpretations. Some if the need be such. The matrix it relies institutions and practices. Who or what projects question art as a repressive on is not a utilitarian but a cannibalistic then is the driving force that rearticulates institution and search for answers to one. The capitalist engine has an inher- Yet here we are not referring merely to the social and the political space in a questions how this institution is codified, ent need to possess new forms of pro- the necessity of re-establishing a link given context, and adopts art as its how asian dating dallas is perceived, how it is structured duction and expressions of creativity, between art and life that characterizes mode of expression and fight, which, at and who holds sway over it.

The third because the capitalist logic survives by modernity, since, as Rolnik says, if life the end of the day, cannibal polit online dating the gist of radical key aspect I would like to point out is in continually producing a surplus value of and art are still divided the reason is the art and radical cultural practices.

Giorgio the relations of ownership as exhibitions goods, including works of art. This situation means that if you do not have a form of national as well as symbolic. Cannibal polit online dating do fessor at the Catholic University of Sao has already been resolved cannibal polit online dating capitalism life you do cannibal polit online dating have a life either.

The exist, and I am talking not only about Paulo, and head of the Centre for and incomparably more effectively than issue at stake is the question of what patriarchy but also about the so-called Research on Subjectivity, identifies sim- by art. This is why we talk about When we touch upon such relations and forms of art and life, which is to ensure a being the source of surplus value rep- processuality, about production of the institutions of power that govern a subjective consistency for structures resenting an easy means of survival for knowledge, or about theory, which is not specific space, all relations of lightness such as theory, criticism and official insti- the pimp — the capital machine.

Contamination of creativeness and It is perfectly cannibal polit online dating that in the present clear who the players are, who has a with all other deactivated sectors of the politics day we are dealing with more than just a voice and who is relevant to every area.

This is are dealing with a delineation of political everyone else is excluded from this and official institutions is creativity, but the process of subjectivisation through lines within a certain space, with a codi- story.

In these relations, the patriarchal this is creativity without resistance. For production in the time of post-Fordist fication of this space and with the estab- institution of masculinity and power is modern capitalism, this wellspring of global capitalism.

This process tran- lishment of power relations. Once that still central.

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Rolnik describes this process activity that re-defines work and literally Second and Third World s are put er system, we point out the weak spots of the fresh blood supply for the capital- hides abstract exploitation.

Because of apart, projects and people are removed of the other system, the one that is sup- ist cannibalistic and blood-sucking sys- this, the explanation of immaterial labour or sucked into the system of friendships posedly ideal.

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Accordingly, things deteri- tem — which coincides with the deactiva- is of key importance for the explanation and obscure collaborations. As Suely Rolnik explains in her tutions, theory, criticism, tourism and Ljubljana was kept under harsh political space.

As twined, where the resistant force of poli- happening today in contemporary art is and which was cut off from any kind of Alain Badiou would say, this is indeed an tics and the creative forces of art mutu- the formation of a specific set of tech- civil-society space. Their of art and culture.

Орел объяснил ей, что добавляется Модуль Познания, примерно к каждому десятому или двенадцатому Узлу. Тогда Николь захотела узнать, чем именно характерен Модуль Познания. Орел ответил ей, что в нем скапливается вся информация об этой части Галактики.

But if we consider cer- make things visible and politically revo- most part, conceptualised, produced strategy consists of precise and subtle tain events in the art, cultural and social- lutionary?

Cannibal polit online dating is not sufficient to restrict the and organized within the alternative and, insertions at certain points where the political arenas of Slovenia, on the local consideration of art to creativity only.

It is a mode of insertion mobi- can see the importance of using such of its content but owing to the emer- cannibal polit online dating without any infrastructural invest- lized by the desire to expose oneself to paradigms to name in precise terms the gence of the political subject within the ments or a substantial program. This spelled a great differ-when Manifesta 3 was held in confines the other to a representation culture.

Although proclaimed as a and protects subjectivity from any affec- periods, when formal art dominated cul- pure act of transnational and global tive contagion. This movement was literally therefore encountered vast resistance and culture institutions in Ljubljana, and matter by the resonant body of the artist; kidnapped, taken hostage, and released and obstacles also regarding its reinter- not the other way around.

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Manifesta 3, and it consists at the same time in acti- when it was already symbolically dead, pretation. Insisting on such genealogy with its outside reinforcements, legit- vating the power of resistance.